In the following recording I activated the reverb plugin after the first few seconds, and then played a bit with the feedback gain throughout: But first let’s listen to a sample of what we are going to build. In this post I will walk through the process of building an artificial reverb plugin using Faust. Faust makes this integration even easier with a suite of architecture files and command line tools that can automatically generate VST plugins and AudioUnits, or Max/MSP, Pd, and SuperCollider externals - all of this from the exact same Faust code.
#Max msp reverb code#
Probably one of the nicest things about Faust is that it outputs simple C code that can be integrated into nearly any DSP application (including embedded hardware). Its block diagram oriented syntax means that if you can draw a block diagram for an algorithm, it will probably be relatively easy to implement that algorithm in Faust - think of it as a text-based counterpart to graphical patching languages like Max/MSP or Pd, but geared more towards DSP.
Faust is such a nice, high-level language, that once you know what to type, you can probably get it down in 1 line.īesides its conciseness, Faust is appealing for many reasons. We take algorithms from the best papers we know about and type them up in Faust. I just fell in love with it and started using it. I hold Julius in very high regard - he has contributed so much to the field of computer music, including 4 excellent books - so to see him genuinely excited about a computer music language was something I took notice of. During that visit I had the opportunity to have dinner with Julius and attend a workshop he lead using Faust.
Julius was invited to Montreal by CIRMMT to give a distinguished lecture about his pioneering work on digital waveguide synthesis.
I first met Julius Smith in 2010 when I was a PhD student at McGill.
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